Long Time, No See

I suppose that a blog should be something one does more frequently than every once in a blue moon. Apparently I haven’t posted anything new here since April 23, 2012. Speaking of the moon, today is a full moon, and perhaps it is its influence that has caused me to open up Windows Live Writer and venture forth.

Since I am retired, I guess I don’t really take vacations as such, but I did spend more than a month away from home, visiting with family and friends, but, more importantly in relation to this blog, doing more with fractals than I have in a very long time. Once in a while, I even got out of my floral comfort zone. See my gallery on Renderosity.com (http://www.renderosity.com/mod/gallery/browse.php?username=graphicMADness) for my “Totally Abstract” image.

Another thing I discovered is that turning images with transparency into spheres or eggs can produce some interesting, and somewhat dramatic, effects. “Inner Light” would be an example of this (also in my Renderosity.com gallery).

One last thing that has made using Ultra Fractal new and fresh again, comes from a friend on the UF Mailing List. I must give a great big shout out to Sue Harvey for making the Crosshatch coloring, by Kerry Mitchell, my new go to coloring for interesting texture. An example of this is “In My Dreams,” also in my gallery.

I have long fallen into what I think of as the Doodads/Orbit Traps featherbed. These colorings tend to always produce a pleasing image with little effort and a lot of gradient manipulation. I’ve not even much used Orbit Traps (UF3), but now I have finally discovered the value of Orbit Traps Gradient (UF5).

I have been making single flowers for a long time now. I can’t even begin to tell you how many fractal flowers I have in my collection.

Let me backtrack for a moment. Before retirement, and before fractals, I was a personal computer hardware and software support technician. For fun, I took various programming classes, which I believe helped me understand the sequence of critical thinking needed to do my job. One of the things that is emphasized in programming classes is the value of reusable code.

The concept of reusable code has become part of my floral mantra. When I find shapes that produce interesting petals, in a particular color (or array of colors), I will often make identical images changing specific gradient points to other colors.

These petals and leaves are a very simple example of the concept.

Since I have sent you off to look in my gallery on Rendersity,com three times now, you have surely noticed the latest upload entitled “Fibonacci Bouquet.” This image represents a culmination of using disparate colorings to create an interesting whole.

I’ve just done another one along these lines:

Spoiler Alert: The above image uses the formula Fibonacci Julia, with a background composed of Crosshatch, Gaussian Integer, Orbit Traps Gradient (UF5) and Jigsaw, has a spiral of flowers made from Orbit Traps Gradient (UF5), Carlson Orbit Traps, Image Traps, and Plane Curve Traps II.

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Using Orbit Traps Gradient (UF5) allows me to take the single flower concept and create interesting floral patterns. Of course, to get good spirals, it is important to find just the right Formula. In my case, I am finding that Fibonacci Julia fits the bill perfectly.

While experimenting with various formulas, I have found that messing around with the Julia Parameters (Re and Im) can bring out way too many Inside areas. I definitely prefer working on the Outside tab. Fibonacci Julia allows for some pretty radical changes to these parameters. For the image above, I used -1.68507/1.75256 for the Julia Parameter (Re) and Julia Parameter (Im) respectively.

(You can open a new image in Ultra Fractal using Fibonacci Julia, in lkm.ufm (another thank you to Kerry Mitchell for this formula), and copy my parameter -1.68507/1.75256, right click on one of the Julia Parameters, and Paste Complex Value.)

Another value to try is -1.79959/1.35992

The final piece of the puzzle is using the Carlson Orbit Traps coloring to produce a rainbow of colors or shades. When I stumbled on this, it almost felt like cheating. It became possible to to color individual elements of an image when the coloring mode iteration (or modulated iteration) is not available. Add to this the fact that there is the Default 8 color preset plus 21 named 8-color presets in Carlson Orbit Traps. which translates into 22 ways to color an image. There are, of course, more than 22 presets, but for my purposes, I have concentrated on those presets with an 8-color range.

So by the usual trial and error method I use when working in Ultra Fractal, I set out to see what I could make with the Orbit Traps Gradient (UF5). Sometimes I will start out with any formula, apply a coloring and go back to the formulas and browse. This feature of Ultra Fractal, makes it possible to work back and forth between an image and the formulas and colorings that is more hit and less miss. After the fact, it’s pretty much your chicken and egg situation. I settled on the Fibonacci Julia with a twiddle of  some parameters as my basic formula. It’s funny, but I usually try to find my main theme before creating a background behind it.

So I have my first layer which I duplicate, then go to the bottom of the two layers and start working out some basic background. Lately, I try Crosshatch before anything else. It provides some nice background material and texture at the same time. I go along happily tweaking parts of Orbit Traps Gradient (UF5), when I accidently add a layer and select Carlson Orbit Traps from my list of saved Outside presets. My first reaction is what?!?!? Then I start scrolling through the Rendering Methods when the colors of my flowers change into a multicolored rainbow. I’m good with that; actually I’m more than good, I’m kind of ecstatic. I’ve been looking for a way to jazz up my spray of flowers and find it through a fortuitous mistake. The Rendering Method I used was Spheroids.

If you browse through my Renderosity gallery, you will see that I tend to work in really dark colors. No so with this particular floral experiment. I am working in rather light and neutral shades which is probably why the addition of the clarion colors of the Carlson preset palettes just made the image pop. I then started scrolling through all of the presets with eight colors for a total of 22 different results – Default plus Alhambra 8, Belvedere 8, Bouquet 8, Chill 8, Cloud Nine 8, Color Switch 8, Evening Sky 8, Fall 8, Fantasia 8, Flowering Orchard 8, La Terra 8, Mojave 8, Morning Sky 8, Pastel 8, Pastel Rainbow 8, Santa Fe 8, Showtime 8, Soleil 8, Spring 8, Summer 8, and Winter 8. Once I had scrolled through all the colors, I found that I couldn’t make up my mind which one looked best, so I did a series I call “Fibonacci Flowers” in all 22 colors.

In addition to the Spheroids layer, I used a Blobs layer as an embellishment to the center of the flowers. This brings us to the Plane Curve Traps II layer. I wanted a little pearly center for my flowers and found that Bubbles in Carlson Orbit Traps would have worked quite nicely except for the fact that I could find no way to eliminate the black background. I made every instance of black transparent to no avail. That’s when I turned to Plane Curve Traps II and used the Cruciform Trap Type.

Once I had my basic image, done with the Default palette, all I had to do was change the palette on the two Carlson Orbit Traps layers and the Plane Curve Traps II layer so that they were all the same and save the result.

I did send one of these images to the UF Mailing list. Here is the one made with the Default color palette

As I was making the color changes for each new image, I realized that I will probably never make it as a fine artist. My love of reusing the code is more conducive to commercial art. My obsession with flowers makes me want to design fabric, and fabrics should sometimes have the same pattern with different colors. My love of flowers is also reflected in my choice of Vera Bradley handbags (I do love my bags – shoes, not so much). I would love to be able to design flowers for one of Vera;s bags.

Fractals and Clip Art

I have long collected sample clip art from Dover Publications (http://store.doverpublications.com/index.html), always intending to make use of these images at some time. With the advent of Ultra Fractal 5 (http://www.ultrafractal.com/), in 2008, using some of these samples in fractal art became not only possible, but quite easy.

One of the first Dover samples I used was a blue butterfly in a simple fractal image.

I was quite excited by all the possibilities.

Ultra Fractal 5 proved to be something of a challenge because it offered several new and complex capabilities that required study and practice.

A couple of days ago, I downloaded an image from Dover, which can be found in their publication WHAT TO DOODLE? MANGA! (http://store.doverpublications.com/0486482901.html).

The blank slate kimono seemed like the perfect place for a fractal design, but in order to do this, it was necessary to create two images with transparent backgrounds. Normally I would use Paint Shop Pro X4, but I am finding what used to be the easiest of graphics programs to use, to be less and less useful. I am of the opinion that Corel bought PSP from JASC to eliminate competition with their own graphics packages, and, although, they continue to come out with new versions, PSP gets buggier with each new iteration.

I used Adobe's Photoshop Elements 10 to eliminate the text and white background surrounding the Manga girl, and saved it, with transparency, as a PNG file.

In order to add design only to the kimono, it was necessary to create a second image, minus head, hands, feet, and that bit of hair over the collar of the kimono. Get out the eraser tool.

This second image, also saved as a transparent PNG file, is used as a mask with the fractal design layer.

Once I had my Manga girl completed, I added background and framing, to have a finished looking image.

MadUF5_0374

I also added a color adjustment layer to make the face, hands, and feet look a bit less stark.

In the Footsteps of Tom Sawyer

I don’t sleep very well. It is a fact of my life. The things that keep me up are varied, but last night, it was an image I created in Ultra Fractal more than four years ago. It is an image I call “Painted on a Fence.” I was thinking about some recent financial changes in my life, and how I might best compensate for them, when the image popped into my head.

It is primitive in many ways, but it is also one of my creations that seems to fall more in the realm of realism than in that of abstract. Granted, the last time I looked there was no blue moon in the sky… or is that a blue sun? Hmmm. Anyway, it is flowers and ferns that could very well be painted on a piece of wood. To me, that’s real enough.

You may ask yourself what this image may have to do with Tom Sawyer. I guess as I lay there trying to fall asleep the whole fence painting pointed me to old Tom and his enterprising ways.

I would truly like to make my digital art into a paying proposition. I have become fairly proficient with making fractal flowers and flowery images. To wit, an updated version of “Painted on a Fence” not so cleverly named “Painted on a Fence UF5 Redux.”

Same picture, better image. I was able to use the image import facility to add flowers I created in UF5 and rendered as png with transparency, in place of the Orbit Trap flowers in the original. I think with this kind of flexibility, there has to be a market out there for my stuff.

You can find 42 of my flowers, some fairly real looking, others totally whimsical, on Rendersity (www.renderosity.com) in Free Stuff. I believe you will need to be a member of the site to actually download these files. The ZIP contains the fractal file, which can be modified as you see fit, a preview image in jpg format, and a render in png format. You need Ultra Fractal 5 to open the fractal file. It uses features introduced in version 5, so you won't be able to open it in earlier versions. There are no restrictions on the use of these images. They may be used for commercial or non-commercial purposes.

As of now, there will be no more free flowers because I have a lead on selling some of my fractal art. We’ll see where that leads.

I started this entry back in January and finally finished it!

Benoit Mandelbrot Fractal Art Contest 2011

 

Contest : http://www.fractalartcontests.com/2011/

Honorary Presidency

• Michael Barnsley
• Aliette Mandelbrot

Panel

• Don Archer
• Javier Barrallo
• Cory Ench
• Damien Jones
• David Makin
• Kerry Mitchell
• Samuel Monnier
• Paul Nylander
• Joseph Presley
• Jonathan Wolfe

Orbit Trap… the Blog

I just tried to post a comment to Orbit Trap: The Blog that Drove the Universe out of Town (http://orbittrap.blogspot.com/2009/06/blog-that-drove-universe-out-of-town.html) the purports to be a blog for the 'discussion' of fractal art. My comment didn't go through because I'm "not a member of the team" and comments are "restricted to "team members."

Didn't they do that on SNL? Fractals are neither art nor mathematics... talk amongst yourselves

When I Think of Carlson, I Think Color!

It's been a long time since I sat down to write something here, almost 6 months.

Lately I have been exploring the vibrant colors associated with Carlson fractals. In fact, it was Paul Carlson's program, Mind-Boggling Fractals that got me interested in creating fractal art in the first place. I had dabbled a bit with Ultra Fractal 2, and actually owned Ultra Fractal 3, when my mind was first boggled by the shiny metallics of the MBF sample images. I had to have that software. (For more information on this program see http://www.nahee.com/Software/MBF/. Although it is no longer supported, and website is gone, you can still find it for download from the web.

The image above is a single layer in Ultra Fractal 5 made with the formula Big Brew Julia (tma2.ufm) and using the Carlson Orbit Traps Coloring (kcc3.ucl) with the trap parameters set to Curl and First Iteration and the Default color preset. These are the colors that got me hooked on fractals.

Where is this all going? Ultra Fractal gradients, of course! I decided that there had to be a way to get those zingy colors into any image, so I proceeded to the tedious, but rewarding, task, of copying each of the colors from Carlson Orbit Traps palettes and pasting them at each control point in a gradient. I discovered that this process is truly a 'by the numbers' project so I had to first come up with gradient templates for the 8, 12 and 16 color palettes. It seemed to me that to get the color and shine I desired, it was necessary to evenly space the control points in the gradient. A quick look at the various Carlson pallets in the coloring shows that there is a high and low range for each color, which means that the Default palette of 8 high and low color ranges requires 16 control points in the palette.

You have to know that I do not write this blog from a mathematical point of view. Math and I are on somewhat good speaking terms, but, when it comes to fractals, I'm all about the graphics and not about the formulas that are at their heart. Sometimes I may not use all the right terminology, and sometimes I may not use the words  I pick up here and there correctly. If you come across an error in my descriptions, please feel free to leave a comment so I can fix things up.

If you look at Carlson Orbit Traps, you will find a section called Color Settings with a drop down that allows you to select a preset and an ‘x’ box to allow you to see the colors in that default. Here are the color palette and the gradient I created from it:

 

So let’s take a look at what the same Big Brew Julia looks like without Carlson Orbit Traps, and my gradient:

Now I can go from this starting point and use any coloring and still start with a colorful gradient of my choosing.

There is a school of thought that one should craft a gradient for each image starting out with just 2 control points – one black and one while. I find that I don’t usually see the possibilities in a formula and coloring combination from that starting point. I most often go the route of starting with a random gradient that strikes my fancy and going from there. The problem with this is that after a while, the random gradients Ultra Fractal generates all start looking alike.

If you look at my gallery on Renderosity (http://www.renderosity.com/mod/gallery/browse.php?username=graphicMADness) you will see that many of my images tend to be dark; I’m trying to change that. So often when I am aiming for vibrant, I end up with dark. To that end, here is a piece on which I was working earlier that uses a gradient derived from the Carlson Orbit Traps palette Evening Sky 8.

As a footnote to the length of time between posts, I would like to add that the online Blogger editor is not easy to use when uploading multiple images. Since there are alternative methods to doing whatever you want to do on a computer, I turned to Google to find an editor that would work offline and publish to my blog. This entry was composed using Windows Live Writer 2011, which I downloaded earlier from http://explore.live.com/windows-live-writer?os=other. It seems to do everything I need it to do.

A Single Layer

I find myself trying more options and parameters in Rob Bunney's code. Today, in just a couple of minutes, I discovered that an entire image can be created in a single layer. This may not be the best fractal ever, and it certainly begs a color scheme other than the default UF gradient, but it's one layer! I also find that there is a bit of whimsy here too.

L'Chaim! - Le Morte - Taiji

I had truly hoped I would spend more time working with Rob Bunney's new formula. I should have known better.

Summer is always a busy time for me. Now that I've made the move to Florida to hold down the fort at Chez Wilson south, while John and John, Jr. are working on the renovation of Chez Wilson north, along with the time spent on the usual long weekend getaways, I have added travel time getting to that northern start-off point.

Most recently, the annual Necon weekend took me north for almost two weeks. I decided that I wanted to take my car with me but only wanted to spend a couple of days travelling. The days of caffeine driven days are over for me. When I drive from Florida to Connecticut, I make two overnight stops along the way. I took the Auto Train, from Florida to Virginia, to make two days possible.

I am not a train person; I didn't sleep well, even though I had two seats all to myself, and I will probably never do it again. It did accomplish the goal of leaving on Monday afternoon and arriving on Tuesday evening.

The trip back took three days with stops in Maryland and South Carolina.

When I take these little excursions, recuperation time is also longer than it used to be. I just don't bounce back like I once did.

The other day, I sat down at my laptop, with the television on for background noise, to do a little doodling with Ultra Fractal. After some Doodads here and Orbit Traps there, I settled down with One Shape and found some pleasing ones (shapes that is) in the iconographic realm. As the six-pointed Star of David appeared, I started thinking, "I could do a series."

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L'Chaim!

2010_08_01_A {
; Title: L'Chaim!
; Created in UF5
; Beta Testing One Shape in rkb_ucl
; Copyright © 2010 by Madelon Wilson.
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}

---

Le Morte

2010_08_01_B {
; Title: Le Morte
; Created in UF5
; Beta Testing One Shape in rkb_ucl
; Copyright © 2010 by Madelon Wilson.
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}

---

Taiji

2010_08_01_C {
; Title: Taiji
; Created in UF5
; Beta Testing One Shape in rkb_ucl
; Copyright © 2010 by Madelon Wilson.
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When I had the first two done, I thought a diptych would be pretty cool, so I asked my friends on the Ultra Fractal mailing list for help. In theory my idea is possible, however, excution is proving somewhat difficult with the multi-layer images I have here. Anyway, now I'm thinking triptych anyway. Ahhh... so many possibiities... so little time.